"I would like to think that no one would die anymore/if we all believed in daisies/but the worms know better, don't they." Ultimately Sexton's poetry centers on"the awful rowing toward God," on perfection and death. In 1974 she committed suicide.
"I am rowing, I am rowing though the oarlocks stick and are rusty and the sea blinks and rolls like a worried eyeball but I am rowing, I am rowing....this story ends with me still rowing"
THE BIG BOOTS OF PAIN
There can be certain potions
needled in by the clock
for the body's fall from grace,
to untorture and to plead for.
These I have known
and would sell all my furniture
and books and assorted goods
to avoid, and more, more.
But the other pain...
I would sell my life to avoid
the pain that begins in the crib
with its bars or perhaps
with your first breath
when the planets drill
your future into you
for better or worse
as you marry life
and the love that gets doled out
or doesn't.
I find now, swallowing one teaspoon
of pain, that it drops downward
to the past where it mixes
with last year's cupful
and downward into a decade's quart
and downward into a lifetime's ocean.
I alternate treading water
and deadman's float.
The teaspoon ought to be bearable
if it didn't mix into the reruns
and thus enlarge into what it is not,
a sea pest's sting turning promptly
into the shark's neat biting off
of a leg because the soul
wears a magnifying glass.
Kicking the heart
with pain's big boots running up and down
the intestines like a motorcycle racer.
Yet one does get out of bed
and start over, plunge into the day
and put on a hopeful look
and does not allow fear to build a wall
between you and an old friend
or a new friend and reach out your hand,
shutting down the thought that
an axe may cut it off unexpectedly.
One learns not to blab about all this
except to yourself or the typewriter keys
who tell no one until they get brave
and crawl off onto the printed page.
I'm getting bored with it,
I tell the typewriter,
this constantly walking around
in wet shoes and then, surprise!
Somehow DECEASED keeps getting
stamped in red over the word HOPE.
And I who keep falling thankfully
into each new pillow of belief,
finding my Mercy Street,
kissing it and tenderly gift-wrapping my love,
am beginning to wonder just what
the planets had in mind on November 9th, 1928.
The pillows are ripped away,
the hand guillotined,
dog shit thrown into the middle of a laugh,
a hornets' nest building into the hi-fi speaker
and leaving me in silence,
where, without music,
I become a cracked orphan.
Well,
one gets out of bed
and the planets don't always hiss
or muck up the day, each day.
As for the pain and its multiplying teaspoon,
perhaps it is a medicine
that will cure the soul
of its greed for love
next Thursday.
THE RED DANCE
There was a girl
who danced in the city that night,
that April 22nd,
all along the Charles River.
It was as if one hundred men were watching
or do I mean the one hundred eyes of God?
The yellow patches in the sycamores
glowed like miniature flashlights.
The shadows, the skin of them
were ice cubes that flashed
from the red dress to the roof.
Mile by mile along the Charles she danced
past the benches of lovers,
past the dogs pissing on the benches.
She had on a red, red dress
and there was a small rain
and she lifted her face to it
and thought it part of the river.
And cars and trucks went by
on Memorial Drive.
And the Harvard students in the brick
hallowed houses studied Sappho in cement rooms.
And this Sappho danced on the grass
and danced and danced and danced.
It was a death dance.
The Larz Anderson bridge wore its lights
and many cars went by,
and a few students strolling under
their Coop umbrellas.
And a black man who asked this Sappho the time,
the time, as if her watch spoke.
Words were turning into grease,
and she said, "Why do you lie to me?"
And the waters of the Charles were beautiful,
sticking out in many colored tongues
and this strange Sappho knew she would enter the lights
and be lit by them and sink into them.
And how the end would come-
it had been foretold to her-
she would aspirate swallowing a fish,
going down with God's first creature
dancing all the way.
END MIDDLE BEGINNING
There was an unwanted child.
Aborted by three modern methods
she hung on to the womb,
hooked onto it
building her house into it
and it was to no avail,
to black her out.
At her birth
she did not cry,
spanked indeed,
but did not yell-
instead snow fell out of her mouth.
As she grew, year by year,
her hair turned like a rose in a vase,
and bled down her face.
Rocks were placed on her to keep
the growing silent,
and though they bruised,
they did not kill,
though kill was tangled into her beginning.
They locked her in a football
but she merely curled up
and pretended it was a warm dolls house.
They pushed insects in to bite her off
and she let them crawl into her eyes
pretending they were a puppet show.
Later, later,
grown fully, as they say,
they gave her a ring,
and she wore it like a root
and said to herself,
"To be not loved is the human condition,"
and lay like a statue in her bed.
Then once,
by terrible chance,
love took her in his big boat
and she shoveled the ocean
in a scalding joy.
Then,
slowly,
love seeped away,
the boat turned into paper
and she knew her fate,
at last.
Turn where you belong,
into a deaf mute
that metal house,
let him drill you into no one.
To return back to the colder than snow introduction page.
Last updated on December 30, 1998